Cameron oversees the running of Park Road and focuses on ensuring the facility delivers all projects to the highest quality. He has a strong general management background having recently head up Saatchi & Saatchi Wellington prior to which he held senior roles in Auckland and London.

Erin has been in the film industry for close to a decade, a large proportion of which she spent in London as a DI producer. Erin has shepherded many notable projects including Sweeney Todd and Quantum of Solace.

John has a strong background in motion picture sound, having worked at Park Road and the National Film Unit for over 20 years. He played a key role in moving the department from an analogue to the modern fully digital operation and was involved in the design and development of the current sound department at Park Road.

John’s experience spans nearly 40 years with a large portion of his career spent as a location recordist. This background proved invaluable for his move into Re-recording Mixing, which has seen John work on a large number of the feature films made in New Zealand.

With over 13 years experience in colour grading Dave has an extensive list of feature films, short films and award-wininng commercials to his credit. Recent work includes the DI grade on Alex Proyas's Knowing, Neill Blomkamp's District 9 and Peter Jackson's The Lovely Bones. Prior to joining Park Road Dave was a senior colourist at The Lab in Sydney. Click here to be sent showreel.

For over a decade Katie has worked in post production, in online, offline, DI, visual effects, engineering and graphic design. Her credits include television, commercials, documentary, feature film and music videos. Most recently Katie has been the DI editor for Knowing and The Lovely Bones.

Meetal has joined Park Road after over 3 years with Quantel, where he has spent the past 18 months working as a Stereoscopic DI Artist. Meetal has been working with 3D since the inception of the technology at Quantel and will be instrumental in the continued development of Park Road's stereo Post Production capabilities.

Phil works closely with colourists, editors and clients providing technical support and solutions throughout the Digital Intermediate department. He is involved in all projects by developing data systems, workflows, colour management solutions and storage area networking.

Brian has a strong understanding of Laboratory operations and oversees the day-to-day aspects of this department. He has worked at the facility since 1976 and specialises in traditional colour grading, black and white archiving and opticals. In fact Brian is the only person in NZ still shooting traditional opticals and is awarded for his work in this area.